Bach Bibliography Search Result - Ordered Chronologically

Author : Staplin, Carl B.
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Staplin, Carl B.:   Stylistic Changes in the Chorale Preludes of J. S. Bach diss. (1966), 230p. PhD diss., Performance Practice. Washington Univ. 1966. 237p. (Ann Arbor: Univ. Microfilms 1967.)
	2.	Staplin, Carl B.:   Stylistic Changes in the Chorale Preludes of J. S. Bach. [1] AmerOrganist(1) 50/ 7 (Jul 1967), 14-20. [Introduction; Chapter 1: The Chorale Melodies; Bar Form Chorales; Non bar form chorales with two or more symmetrical phrases]
	3.	Staplin, Carl B.:   Stylistic Changes in the Chorale Preludes of J. S. Bach. [2] AmerOrganist(1) 50/ 8 (Aug 1967), 16-21. [cont.; Through-composed chorale melodies showing no symmetries]
	4.	Staplin, Carl B.:   Stylistic Changes in the Chorale Preludes of J. S. Bach. [3] AmerOrganist(1) 50/ 9 (Sep 1967), 16-22. [Chapter 2: Stylistic Features of the Chorale Preludes]
	5.	Staplin, Carl B.:   Stylistic Changes in the Chorale Preludes of J. S. Bach. [4] AmerOrganist(1) 50/10 (Oct 1967), 20-22. [cont.]
	6.	Staplin, Carl B.:   Stylistic Changes in the Chorale Preludes of J. S. Bach. [5] AmerOrganist(1) 50/11 (Nov 1967), 20-27. [Chapter III: Form and Symmetry in the Chorale Preludes. Group 1: settings Employing the Entire Chorale Melody. A: Symmetries between Phrases of the Chorale Melody; B: Symmetries between Phrases and Interludes; C: Symmetries between Interludes; D: Symmetries within one Interlude; E: Chorale Preludes of Group 1 without symmetries]
	7.	Staplin, Carl B.:   Stylistic Changes in the Chorale Preludes of J. S. Bach. [6] AmerOrganist(1) 50/12 (Dec 1967), 15-20. [Group 2: Independent Forms; A: Settings with two or more closely related sections; B: settings with two or more contrasting sections; Symmetries in Group 2 Settings. A: Symmetries between Sections]
	8.	Staplin, Carl B.:   Stylistic Changes in the Chorale Preludes of J. S. Bach. [7] AmerOrganist(1) 51/ 1 (Jan 1968), 34-38. [Group 3: Fugal Settings: Independent forms in the fugues; symmetries in the fugues; A: repetitions within the opening exposition]
	9.	Staplin, Carl B.:   Stylistic Changes in the Chorale Preludes of J. S. Bach. [8] AmerOrganist(1) 51/ 2 (Feb 1968), 18-21. [B: Parallelism between expositions and episodes; C: symmetries between fugal expositions; D: correspondences between episodes]
	10.	Staplin, Carl B.:   Stylistic Changes in the Chorale Preludes of J. S. Bach. [9] AmerOrganist(1) 51/ 3 (Mar 1968), 16-21. [Chapter 4: Chorale Preludes existing in two or three versions]
	11.	Staplin, Carl B.:   Stylistic Changes in the Chorale Preludes of J. S. Bach. [10] AmerOrganist(1) 51/ 4 (Apr 1968), 22-23, 34-35. [cont.; Chapter V: conclusion]